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"My recent work is a study in order and structure, based on the simplest of geometric forms. There is a great deal of freedoms involved in the imposition of strict rules - within the structure of the grid, the confines of the cube and the sphere, there is the possibility of endless variation.
By stripping away color, I am free to concentrate on the form itself, without distraction. The work reflects an interest in architecture and geometry. The white cubes especially evoke the austere elegance of Le Corbusier and the Bauhaus."
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Kaiser's work has been seen on Will and Grace, and has been used locally and nationally by interior decorators. His furniture pieces combine structure and form that follows his attention to the geometric forms seen in his other works. From outdoor to indoor works, these pieces are strong and durable with personality.
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"Currently, my work is an interpretation of my experience with the garden and my fascination with its energy and vibrant beauty. A multiplicity of conical volumes suspended on a vertical surface removes the garden from its natural context, the horizontal plane. In this way, I present the viewer with a new visualization of the elements from which a garden is constructed.
Abstract geometry and color create the illusion of form and space, and an awareness of the importance of these elements emerges from their presentation in a simple and suggestive fashion. I address the ordered system of the garden and the natural forces from which it gives way to allow the free expression of sensuality, movement and energy. Just as I utilize the pure geometry of the cone to conversely interpret organic form, so do I attempt to transform the systematic process involved in wheel-throwing into pure emotion."
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Abstract geometry and color create the illusion of form and space, and an awareness of the importance of these elements emerges from their presentation in a simple and suggestive fashion.
"I address the ordered system of the garden and the natural forces from which it gives way to allow the free expression of sensuality, movement and energy. Just as I utilize the pure geometry of the cone to conversely interpret organic form, so do I attempt to transform the systematic process involved in wheel-throwing into pure emotion."
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These examples demonstrate the range of environments that Kaiser's work can illuminate. Before an installation or even a single piece hangs up on a wall or rests on a mantle it has gone through a multi-stage process beginning with the conceptualization of the finished piece and ending with the firing, coloring, and finishing before display.
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